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10 Things About Jherad Alleyne and Keshia Pope

A new feature is on it’s way!

Later this week, meet Jherad Alleyne – more popularly known as Lord Zenn – and Keshia Pope; the two young Bajan leads in the upcoming Barbadian-UK co-produced film A Caribbean Dream.

While you wait for that however, here are 10 things About Jherad Alleyne and Keshia Pope! Make sure you click on the image to enlarge it.

See Jherad and Keshia in A Caribbean Dream at Limegrove Cinemas and Olympus Theatres from March 1st – 7th.

UPDATE: Read the full feature here – A Caribbean Dream Come True.

Youtube is Getting Rid of 30 second Unskippable Ads

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Hands up for those who hates YouTube’s unskippable ads- yes I can see its all of us. If you never experienced such ads that play at the beginning of some YouTube videos for 30 seconds, then you have lived a privileged life indeed. For the rest of us who had to experience this first world annoyance should be pleased to know that Google is planning to scrap the 30-second unskippable ads on its site.

A Google spokesman had this to say about the move:

“As part of that, we’ve decided to stop supporting 30-second unskippable ads as of 2018 and focus instead on formats that work well for both users and advertisers.”

Google is highly reliant on third party ads to generate revenue across its platform, however it knows long, unskippable ads often do more harm than good when it comes to selling products and services.

We still have to wait till 2018 for these changes to fully take effect, however it’s a good sign that the tech giant is “caring” for its consumers.

HTC to make a Vive mobile VR headset

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HTC was not the first company in the VR (Virtual Reality) arena, it has however certainly dominated this space. HTC obviously knowing this, has decided to hammer down that position by announcing a new Vive headset. This new headset will be a mobile version to the current flagship, however Chia-Lin Chang, the President of smartphones and connected devices at HTC, was quick to point out that this new headset will be offering more than other typical mobile VR solutions. This obvious jab at Google’s Daydream View and others was an easy one to make, seeing how these headsets do practically next to nothing to add to the overall experience.

The Taiwanese manufacturer has clearly been working on this product for a while. Back at last year’s Mobile World Congress (MWC), the company alluded to their intentions of creating a unique product to tackle the VR and smartphone space that would “make sense”.

Offering this higher quality VR experience at a lower price will inject a substantial boost of revenue to the company’s phone sales, which has been lagging as of late.

Chang was confident in HTC to come with “a good plan in terms of combining mobility with VR,” and how in the coming months we will see more of the company’s plans for the upcoming product.

“Beat It” by Machel Montano Review

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Because I can’t have a music section filled with nothing but top five countdowns, welcome to my very first music review! To continue in the spirit of Trini Carnival season, we’re going to be reviewing the latest song from the monk himself, Mr MM Machel Montano’s “Beat It.”

The Ending First

Press play. Go to your nearest co-worker, sibling, friend, parent or spouse and thump them up like they’re a steel pan, whilst inexplicably chanting “Beat it! Beat the road!” Are you done? Now we can continue.

First Listen

The people have been asking for it and our boy delivered. Machel Montano has given me my power soca anthem for 2017. I don’t know about you, but it is mine. If you took the time out to play it, you may find yourself asking: “But Doc, isn’t this just like the majority of recent Machel power soca songs?” Yes. Yes, it is. However, that is not a bad thing. Machel has been releasing anthem upon anthem for years. It can even be argued that he’s the best soca act around. Clearly, he has a formula for making that power soca hit, and there’s no crime in sticking to it.

That Beat Though

The song is produced by one of my favourite soca producers, Kubiyashi, along with Joli Rouge Sound and Machel Montano himself. Coming out of the blocks with an epic intro – which sounds like Super Blue’s “Fantastic Friday” had a song baby with Machel’s “Float” –  a simple 4 bar (5 and a half including the horn) builds us up and leads us directly into the chorus.

THAT. STEEL. PAN. THOUGH. B-E-A-U-T-I-F-U-L. I do not know how soca producers do it. They always manage to bring a special kind of sound that gives me the right amount of nostalgia, without making it obvious whether or not if it was sampled. Scratch Master did a great job mixing and mastering the track. Nothing sounds overbearingly powerful, yet the percussion from the steel pan is very solid and drives the song. Kudos to Johann Chuckaree, the pan player in the song, that I can’t seem to shut up about.

The structure of the song is pretty basic, which works. Verse, bridge, hook, chorus. Simple but effective. However, at the end there’s a very pleasing break in the song where the track slows down from 160 to 110 BPMs (around the tempo of Machel’s “Gyal Wuk”). This section of the song substitutes the steel pan with a guitar, reminiscent of most Caribbean folk music.

Lyrical Breakdown

Disclaimer: This is a party song and the lyrics reflect that. The lyrics aren’t moving me to be a better person. It’s not going to make me tell my ex-girl “Sorry.” It will not make me recycle. This song will make me jump up and down for a couple of minutes like a clown, stomp, move my shoulders and repeat maybe ten keywords. That is the purpose of the song.

With that out of the way, it’s only as I’m writing this paragraph that I’m actually listening to the words. The song has a great melody and a captivating beat. If Machel sang about the current state of the global economy, I wouldn’t notice. If he sang about the dying bee population (GOOGLE THIS!), I wouldn’t notice.

In case you can’t tell, I’m whatever the literary equivalent of stalling is.

Party music is very similar to pop music; give me a catchy hook, a bomb beat and a few keywords and I’m good. So in comparison to other party soca music – songs that follow the same formula, use keywords, melodic hook and a bashy beat – these lyrics are decent. In comparison to any song not produced by Diplo or Skrillex, this song is not memorable at all. I’ve listened to it approximately eight times at this point and I have no idea what homeboy is singing about. It’s the same as the soca songs we’ve been hearing for years. I’m not too sure why the song had five writers (Jason “Shaft” Bishop, Machel Montano, Joli Rouge Sound, Alex “Kubiyashi” Barnwell & Kitwana Israel), but the writers of the song are also the producers. So I’d like to imagine they were in a room with a soca rhyming dictionary (which has to exist at this point), strung together a few words and called it a day at the races.

All in all, the lyrics are very weak, predictable and repetitive (fun challenge: count how many times you hear the word beat). However, this is all okay. It is a party song; you don’t want to be wukkin up in a fete to a song about a dead dog named Red. We’re satisfied with the soca formula of just throwing around keywords: “carnival”, “bacchanal”, “sexy gal”, “drinking rum”, “’nuff’ woman”, “real, real fun.”  Give me a “boom-tit-tit” beat and I just wrote the first hit for Crop Over 2017.

Final Words

Call your favourite radio station now and request this song. The song is sweet, the song is vibes, the song is action. Go in Old Jamm Inn on Friday, come to me when I’m playing and request it. It is a great party song. It is a Machel song. His energy is there and his vocals are strong. You knew it was a hit before you read this. But it will not motivate you to run for a government position and that’s just fine.

Featurette With Shawn Alleyne

Shawn Alleyne is a Barbadian writer, artist and inker. A certified art instructor, he is also the owner of Pyroglyphics Studios (an art studio which specialises in comic book illustration, but covers the fields of storyboarding, logo design, graphic design, fashion and more) and one of the four members of the art studio Street Team. He formed the comic book networking group Xion and the art group Artmada. He is the facilitator of Project D.R.E.A.M, a comic book and literacy arts program, and is co-publisher of the upcoming anthology The Scribes of Nyota.

In celebration of Black History Month this year, he has undertaken a special art project in which he draws his own versions of Barbadian created comic characters.


How did you come up with the project and what is it about?
As anyone that is Barbadian can tell you, Barbados just celebrated 50 years of Independence on Nov 30th, something I feel a great deal of pride for as a native Barbadian. As the day was approaching I felt compelled to do something artistically to commentate [sic] the moment. A friend by the name of Safiya Kinshasa suggested I create and draw some Bajan inspired superheroes. However, knowing the wealth of Barbadian comic characters that already existed, (created by Barbadian artists no less) I had the idea to draw my rendition of these characters that already existed. The premise was the same, to drop a character once a day for the whole month of November. But as the month approached I knew I wasn’t going to be finished in time. Another friend by the name of Julian Mosley had another idea to do something in Black History Month and I felt that would be perfect for this project. #BlackHistoryMonth. #BajanCharacters. So for the entire month of February I will draw a piece depicting a comic book character of Barbadian origin or ancestry created by Barbadians                        

Something I wanted to touch on was WHY I’m doing this. And the answer is: The comic book community and talent in Bim (i.e Barbados) is extensive, rich and incredible. Indy artists are pulling on their own culture, their own experiences to tell new stories and create new characters that look like who they see in the mirror. Growing up, all I drew was white and Asian people. Cause [sic] that’s all I saw. No one that I knew was drawing characters that looked like me, much less that were from Barbados. But times are different now. I think people are tired of the lack of diversity in the comic book world. It’s amazing to me how many CREATORS are Nubian. In this time of a hyper-connected digital world we can reach anyone across the planet. We need to show the world that someone from the Caribbean is just as good as anyone anywhere else. We’re only as small as we allow ourselves to think we are.

 

So you think that representation is important; not just in terms of seeing people the same colour as you but who share your cultural background.
Yes, I think it’s important to show representation in all it’s varied glory. It’s a necessity for me in this day and age to show that Nubian (i.e black) people, and Caribbean people specifically, aren’t just a single hive-minded [sic] of one note. We are a smorgasbord of layered distinct vibrant flavours. And culture plays a large role in who you are. This industry has been dominated for years by a single white American and European perspective. And in more [recent] years by an Asian influence. We need to highlight the stories and culture of the Caribbean. Thereby opening a door for the rest of the world.

 

Can you explain your use of the term “Nubian?”
I live in America but I don’t identify as “African-American.” And the more I think about history I fail to see how a people as vast and significant as we are can be boiled down to just a color. People of African origin have a powerful history that starts before the slave trade. Contrary to what they portray in the history books and Hollywood. So I made the personal decision to refer to myself as Nubian to represent that rich heritage.

 

Who are some of the creatives whose characters you are drawing and how did you go about choosing them?
A few of the characters so far: Dwayne Straughn, created by Alan Lynch, Strict created by Jeremy, Julian Moseley and Clarence Cumberbatch, Stok created by Seth Dolcy,Creed created by Omar Kennedy (co-founder of AnimeKon), Heart Man and Bolo created by Matthew Clarke, Jackal Black created by Rivenis, Powerstar created by Jerry and Roger Reese, Shakti created by Shanni, Tau by Tre Worrell (an American with Barbadian heritage) and my personal character Aizan.

More characters and creators are coming for a total of 28 characters once finished.

I chose these people for many reasons.

1) [T]hey have a product that’s out.

2) [T]hey are producing comics and books on a standard just as high as anything that’s on the stands and they deserve the recognition.

3) [E]ven the creators who’s [sic] characters don’t have books out have great ideas that I want to see published and I’m hoping [that] seeing their characters come to life gives them that extra push.

4) [A]nd they’re my friends. As Bajans we have to lift each other up.

 

You said there’s a wealth of Barbadian comic characters. I imagine it wasn’t hard finding any then?
Yes and no. There are a bunch of Bajan creators on the island creating a lot of varied titles. But I don’t think there are enough. And as a whole, I’m assuming there are tons of Barbadians around the planet, but yet I couldn’t find a lot of bajan characters outside of the island.

 

Was that disappointing?
Very.

 

What more do you think can be done to encourage more of this kind of creativity and expression in Barbados and to get the works of Barbadian creatives out there more?
This is a multilayered answer. I think it starts with the creators first. We have to represent OUR heritage, and put the product out there to the people. They can’t consume what isn’t there. I think creators should also support each other more. Talk about each others’ properties. Get together. Share resources. I run a comic book networking group called Xion and I’m looking to branch out to Barbados. [And hold] [m]onthly meetings for artists to do all the things I just mentioned.

 

Next, its [sic] on the public to support the creators. If they can’t afford the product, share a link. Do a review. Spread the word. The same for creators as well. We now live in a hyper-connected world…there’s no excuse anymore for not getting eyes on your work. Not with the way social media is.

 

Are all of the characters from comics or are some of them from different mediums?
Most are from comics that are already published or that are in production. Creed is from a novel called The Soltreian Chronicles.

 

Last question: What do you hope to achieve with this project?
I hope to showcase the talent coming out of Barbados. I hope that this highlights the diverse tapestry of “black” that makes up Black History Month. I hope this brings the Barbadian comic community closer and inspires others, Bajan or otherwise, to create more and integrate their own culture into their creations. If all goes well I will get the characters colored and re-release them in the future.

 

Follow Shawn on Instagram at @Pyroglyphics1 and like his Facebook page!

Dubai Investing In Drone Taxis

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This summer in Dubai, prepare for a revolution in the way the rich and privileged take to the skies. Yesterday at the World Government Summit, Mattar al-Tayer, the head of Dubai’s Road & Transportation Agency, announced plans of a new passenger-carrying drone service. The self-driving vehicles will ferry commuters between predetermined locations by July.

The drone will be able to carry a passenger weighing up to 100 kilograms and a “small” suitcase. Top speed for the craft will be 160 kph (100mph), however the usually speed will be 100 kph (62mph). The Road and Transportation Agency issued a statement saying the drone had been examined by the Dubai Civil Aviation Authority and was controlled through 4G mobile internet.

The EHang 184 is a Chinese made all electric drone that first was shown to the public during CES 2016. The EHang 184 can fly about 50 kilometers (31 miles) on a single charge and will be piloted and monitored from a remote command center.

‘A Caribbean Dream’ Selected for LA Independent Film Festival Awards

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A Caribbean Dream, the Barbadian/UK co-production produced by Melissa Simmonds and written and directed by Shakirah Bourne, has been selected as a semi-finalist in the LA Independent Film Festival Awards. The film is in the categories First Time Film Maker, Best Produced Screen Play and Ensemble Cast.

The film – shot on location in Barbados – is an adaptation of Shakespeare’s A Mid Summer’s Night Dream starring Jherad Alleyne, Keshia Pope, Sam Gillett, Marina Bye, Patrick Michael Foster, Adrian Green, Sonia Wiliams, Susannah Harker and Aden Gillett.

Its invitation only premiere will be held at Limegrove Cinemas on February 28th and open to the public for a one week screening run from March 1st until March 7th at Limegrove Cinemas and Olympus Theatres.

To learn more about the film, visit its Facebook page. Watch the trailer here.

 

Watch ‘Set You Free’ by 2 Mile Hill Music Video

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The music video for “Set You Free” by Barbadian band 2 Mile Hill was released earlier this morning. The song is the third track on the band’s EP Uncovered, which was released on June 24th of last year. In the video lead vocalist Mahalia Cummins dances on the roof of a building.

In a promotional video posted on the band’s Facebook page yesterday, Cummins said:

“This is a new experience for me – dancing for a video…so my heart is in my throat. People out there who know that I’m a dancer always ask if I use my dancing when 2 Mile Hill performs and I usually don’t to that level…I always thought of my dancing like a separate thing; an escape, a safe haven, a sanctuary…But it is a side of me that’s really important…I feel like it was now time to share that with everybody…”

Watch the video here.

 

Scandal S06E03 Recap

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SOME SPOILERS AHEAD.

The moment Tom showed up I knew he was the one who killed Frankie!

As this episode progressed I found it more and more unlikely that it was Cryus. Especially after we saw the flashback of Frankie so graciously handing him the Vice Presidency. He was so happy he cried! And I felt so happy for him then. That flashback made me realise exactly how much Frankie appreciated, trusted and respected Cryus. Far more than Fitz, Liv and company ever did. And that’s why Cyrus loved him so much. I don’t think he would have killed someone who treated him that way.

And oh my. Liv really dug into him during that flashback when Cyrus won the vice presidential debate. It felt very uncharacteristic of her to be so venomous and scathing toward him. To demean him and insult his abilities that way. They’ve had their differences and have always had a contentious relationship, but that tear down was particularly bad and I don’t recall her ever having been that nasty toward him.

I felt so bad for him when he was being arrested and taken away. I would have preferred if Tom had actually shot and killed him, because this is harder to watch when everything that happened between Frankie and Cyrus prior to Frankie’s death is considered. Cyrus went so far to protect Frankie from himself by having Tom take care of Jennifer. I really do believe that he didn’t think Tom would have gone as far as he did, but at the same time he should know Tom well enough by now.

I never thought that anything was going on with Frankie and Jennifer. He was too much of a stand up guy; too good, too honest and too virtuous. Cyrus’ history with Fitz and Olivia and that whole debacle of their relationship, greatly informed his judgement and decision making when it came to Frankie and Jennifer.

Tom is getting precisely what he wanted by making Cyrus suffer. I also think a lot of it is his being jealous of Frankie because Cryus loved him so much. Unfortunately, it fits neatly into Liv’s narrative of Cryus’ guilt.

As much as I didn’t believe that Cyrus was guilty, I was really hoping that Liv was not wrong. But she was. Which is very disappointing. It was a little frustrating that she reveled in her victory after discovering that Tom had confessed and said he did it on Cyrus’ orders. Fitz still doesn’t seem particularly convinced to me, so I’m counting on him to realise what is going on.

I don’t like how strongly Abby seems to believe that Liv is playing Fitz just so that Mellie can become president. I absolutely believe that that desire is what is pushing Liv right now – and perhaps clouding her judgement – but, it was annoying that Abby seemed to think that Liv was trying to manipulate the situation. Everyone seemed to think Liv was up to something. Even Cyrus. I don’t think that is what Liv is doing. I think she genuinely believes that it was Cyrus.

Random thoughts:

  1. Barbados shout out!
  2. Quinn and Charlie’s lovey-doveyness is a little nauseating, but I’ll take it if we get more of Huck’s hilarious discomfort.
  3. Literal snake in the grass!

Scandal airs Thurdays at 9 PM on ABC.

How to Get Away With Murder S03E12 Recap

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SOME SPOILERS AHEAD.

I do not believe that Nate had anything to do with Wes’ body being moved, far less that he requested it and signed off on it. Why would he make such a brouhaha about it, knowing full well that he is the one responsible. Sure it could have been for the purpose of misdirection, but he would have known that they would investigate it and find his name on the document. It makes no sense. I would and do more readily believe that the D.A.’s office is framing him for this.

In fact, when D.A. Denver said that someone had signed off on Wes’ body being moved and Nate asked who did, I was expecting D.A. Denver to say that it was A.D.A Atwood. So when she handed Nate the folder with the documents I was surprised. I guess she doesn’t have much of a sense of loyalty toward Nate at this point. She was sleeping with him after all. But I always believed she was doing that more to get back at Annalise than anything.

The fact that they lost Wes’ body at all, though, is just hilarious in a way that I really can’t believe that they were so negligent. I’m curious as to why they are only now finding this document that just so happens to incriminate Nate…the person who discovered the body is missing…and had a previous relationship with Annalise. You would think that that would be one of the first things they would check the second they realised Wes’ body was missing. Which makes it even more suspicious that they’re pinning it on Nate.

I noticed this a long time ago, but it’s really just hammered home this week how much the D.A.’s office absolutely refuses to let go of Annalise. It’s with an almost desperation that they’re doing it. Basically everything Bonnie throws at them as a reason to grant Annalise bail they just outright deny. I don’t know anything about the legal system, but her reasons seem pretty good to me. I kind of side with her in suspecting that that judge is in on the “Let’s Destroy Annalise Keating” conspiracy. But she and I are biased.

The more this goes on, the more I’m convinced that this entire investigation is fueled by a personal vendetta (looking at you A.D.A Atwood).

Laurel broke my heart this episode. I think I’d rather see Lovesick Laurel over Grieving Laurel. She is just broken. I knew that Wes’ death hit her hard, but I guess now that she’s out of the hospital and not drugged out of her mind, it’s really starting to manifest just exactly how much she’s hurting. Kudos to Karla Souza for her performance in this episode; it was heart wrenching seeing Laurel go through this.

I don’t blame her for her outburst at the funeral. Wes had no family and no friends outside of them, except for Meggie. I myself was annoyed when I saw the blonde girl crying. Who was she even? Who were any of those people and where did they come from? And screw new kid for interrogating the Keating Four about Annalise’s guilt.

Don’t get me wrong, Wes was her boyfriend and she loved him a lot, but Laurel’s reaction to his death feels a little extreme? I didn’t realise that they had gotten so very serious, committed and deeply in love in such a short span of time.

When Annalise’s mother showed up I did not expect good things. I loved her fearlessness and passion in wanting to defend and protect Annalise, though. I really didn’t expect her to confess to murdering someone or for her to have dementia. I felt so bad when Annalise lied to her about being out of jail for good and the charges being dropped.

I’m so glad she’s out of jail. Her cell mate was really started to grind on my nerves. I’m pretty sure Annalise was right about her molesting her kids, given the look on her face. Although, if that were the case, why would anyone bring them to prison for her to visit? Why would she even be allowed to see them?

Watching Annalise get beat up and seeing her bruised and bloodied face after was a shock. There was always something about Annalise that made her feel untouchable and this entire second half of the season has utterly destroyed that. It was all part of her plan to get herself granted bail – because Bonnie is failing so very very hard; I still don’t think that’s entirely her fault – but given that it followed her conversation with Bonnie about her still not being granted bail, I honestly thought she had given up and that that was her expression of that.

Random thoughts:

  1. Did the “In Case of Emergency” need to be so blatant?
  2. I used to think Conniver was cute, now they just seem toxic.
  3. Give Frank a break already!
  4. Now that Laurel doesn’t trust Meggie, I don’t trust her either.
  5. Go Oliver!
  6. OMG Connor! Shut up!
  7. I’ve been spelling Wes’ last name wrong this entire time.
  8. Jasmine knows what’s up!
  9. I hope the copy of Annalise’s phone that Oliver kept doesn’t come back to bite them in the ass.

How to Get Away With Murder airs Thursdays at 10 PM on ABC.

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