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10 Things About Jherad Alleyne and Keshia Pope

A new feature is on it’s way!

Later this week, meet Jherad Alleyne – more popularly known as Lord Zenn – and Keshia Pope; the two young Bajan leads in the upcoming Barbadian-UK co-produced film A Caribbean Dream.

While you wait for that however, here are 10 things About Jherad Alleyne and Keshia Pope! Make sure you click on the image to enlarge it.

See Jherad and Keshia in A Caribbean Dream at Limegrove Cinemas and Olympus Theatres from March 1st – 7th.

UPDATE: Read the full feature here – A Caribbean Dream Come True.

“Beat It” by Machel Montano Review

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Because I can’t have a music section filled with nothing but top five countdowns, welcome to my very first music review! To continue in the spirit of Trini Carnival season, we’re going to be reviewing the latest song from the monk himself, Mr MM Machel Montano’s “Beat It.”

The Ending First

Press play. Go to your nearest co-worker, sibling, friend, parent or spouse and thump them up like they’re a steel pan, whilst inexplicably chanting “Beat it! Beat the road!” Are you done? Now we can continue.

First Listen

The people have been asking for it and our boy delivered. Machel Montano has given me my power soca anthem for 2017. I don’t know about you, but it is mine. If you took the time out to play it, you may find yourself asking: “But Doc, isn’t this just like the majority of recent Machel power soca songs?” Yes. Yes, it is. However, that is not a bad thing. Machel has been releasing anthem upon anthem for years. It can even be argued that he’s the best soca act around. Clearly, he has a formula for making that power soca hit, and there’s no crime in sticking to it.

That Beat Though

The song is produced by one of my favourite soca producers, Kubiyashi, along with Joli Rouge Sound and Machel Montano himself. Coming out of the blocks with an epic intro – which sounds like Super Blue’s “Fantastic Friday” had a song baby with Machel’s “Float” –  a simple 4 bar (5 and a half including the horn) builds us up and leads us directly into the chorus.

THAT. STEEL. PAN. THOUGH. B-E-A-U-T-I-F-U-L. I do not know how soca producers do it. They always manage to bring a special kind of sound that gives me the right amount of nostalgia, without making it obvious whether or not if it was sampled. Scratch Master did a great job mixing and mastering the track. Nothing sounds overbearingly powerful, yet the percussion from the steel pan is very solid and drives the song. Kudos to Johann Chuckaree, the pan player in the song, that I can’t seem to shut up about.

The structure of the song is pretty basic, which works. Verse, bridge, hook, chorus. Simple but effective. However, at the end there’s a very pleasing break in the song where the track slows down from 160 to 110 BPMs (around the tempo of Machel’s “Gyal Wuk”). This section of the song substitutes the steel pan with a guitar, reminiscent of most Caribbean folk music.

Lyrical Breakdown

Disclaimer: This is a party song and the lyrics reflect that. The lyrics aren’t moving me to be a better person. It’s not going to make me tell my ex-girl “Sorry.” It will not make me recycle. This song will make me jump up and down for a couple of minutes like a clown, stomp, move my shoulders and repeat maybe ten keywords. That is the purpose of the song.

With that out of the way, it’s only as I’m writing this paragraph that I’m actually listening to the words. The song has a great melody and a captivating beat. If Machel sang about the current state of the global economy, I wouldn’t notice. If he sang about the dying bee population (GOOGLE THIS!), I wouldn’t notice.

In case you can’t tell, I’m whatever the literary equivalent of stalling is.

Party music is very similar to pop music; give me a catchy hook, a bomb beat and a few keywords and I’m good. So in comparison to other party soca music – songs that follow the same formula, use keywords, melodic hook and a bashy beat – these lyrics are decent. In comparison to any song not produced by Diplo or Skrillex, this song is not memorable at all. I’ve listened to it approximately eight times at this point and I have no idea what homeboy is singing about. It’s the same as the soca songs we’ve been hearing for years. I’m not too sure why the song had five writers (Jason “Shaft” Bishop, Machel Montano, Joli Rouge Sound, Alex “Kubiyashi” Barnwell & Kitwana Israel), but the writers of the song are also the producers. So I’d like to imagine they were in a room with a soca rhyming dictionary (which has to exist at this point), strung together a few words and called it a day at the races.

All in all, the lyrics are very weak, predictable and repetitive (fun challenge: count how many times you hear the word beat). However, this is all okay. It is a party song; you don’t want to be wukkin up in a fete to a song about a dead dog named Red. We’re satisfied with the soca formula of just throwing around keywords: “carnival”, “bacchanal”, “sexy gal”, “drinking rum”, “’nuff’ woman”, “real, real fun.”  Give me a “boom-tit-tit” beat and I just wrote the first hit for Crop Over 2017.

Final Words

Call your favourite radio station now and request this song. The song is sweet, the song is vibes, the song is action. Go in Old Jamm Inn on Friday, come to me when I’m playing and request it. It is a great party song. It is a Machel song. His energy is there and his vocals are strong. You knew it was a hit before you read this. But it will not motivate you to run for a government position and that’s just fine.

Featurette With Shawn Alleyne

Shawn Alleyne is a Barbadian writer, artist and inker. A certified art instructor, he is also the owner of Pyroglyphics Studios (an art studio which specialises in comic book illustration, but covers the fields of storyboarding, logo design, graphic design, fashion and more) and one of the four members of the art studio Street Team. He formed the comic book networking group Xion and the art group Artmada. He is the facilitator of Project D.R.E.A.M, a comic book and literacy arts program, and is co-publisher of the upcoming anthology The Scribes of Nyota.

In celebration of Black History Month this year, he has undertaken a special art project in which he draws his own versions of Barbadian created comic characters.


How did you come up with the project and what is it about?
As anyone that is Barbadian can tell you, Barbados just celebrated 50 years of Independence on Nov 30th, something I feel a great deal of pride for as a native Barbadian. As the day was approaching I felt compelled to do something artistically to commentate [sic] the moment. A friend by the name of Safiya Kinshasa suggested I create and draw some Bajan inspired superheroes. However, knowing the wealth of Barbadian comic characters that already existed, (created by Barbadian artists no less) I had the idea to draw my rendition of these characters that already existed. The premise was the same, to drop a character once a day for the whole month of November. But as the month approached I knew I wasn’t going to be finished in time. Another friend by the name of Julian Mosley had another idea to do something in Black History Month and I felt that would be perfect for this project. #BlackHistoryMonth. #BajanCharacters. So for the entire month of February I will draw a piece depicting a comic book character of Barbadian origin or ancestry created by Barbadians                        

Something I wanted to touch on was WHY I’m doing this. And the answer is: The comic book community and talent in Bim (i.e Barbados) is extensive, rich and incredible. Indy artists are pulling on their own culture, their own experiences to tell new stories and create new characters that look like who they see in the mirror. Growing up, all I drew was white and Asian people. Cause [sic] that’s all I saw. No one that I knew was drawing characters that looked like me, much less that were from Barbados. But times are different now. I think people are tired of the lack of diversity in the comic book world. It’s amazing to me how many CREATORS are Nubian. In this time of a hyper-connected digital world we can reach anyone across the planet. We need to show the world that someone from the Caribbean is just as good as anyone anywhere else. We’re only as small as we allow ourselves to think we are.

 

So you think that representation is important; not just in terms of seeing people the same colour as you but who share your cultural background.
Yes, I think it’s important to show representation in all it’s varied glory. It’s a necessity for me in this day and age to show that Nubian (i.e black) people, and Caribbean people specifically, aren’t just a single hive-minded [sic] of one note. We are a smorgasbord of layered distinct vibrant flavours. And culture plays a large role in who you are. This industry has been dominated for years by a single white American and European perspective. And in more [recent] years by an Asian influence. We need to highlight the stories and culture of the Caribbean. Thereby opening a door for the rest of the world.

 

Can you explain your use of the term “Nubian?”
I live in America but I don’t identify as “African-American.” And the more I think about history I fail to see how a people as vast and significant as we are can be boiled down to just a color. People of African origin have a powerful history that starts before the slave trade. Contrary to what they portray in the history books and Hollywood. So I made the personal decision to refer to myself as Nubian to represent that rich heritage.

 

Who are some of the creatives whose characters you are drawing and how did you go about choosing them?
A few of the characters so far: Dwayne Straughn, created by Alan Lynch, Strict created by Jeremy, Julian Moseley and Clarence Cumberbatch, Stok created by Seth Dolcy,Creed created by Omar Kennedy (co-founder of AnimeKon), Heart Man and Bolo created by Matthew Clarke, Jackal Black created by Rivenis, Powerstar created by Jerry and Roger Reese, Shakti created by Shanni, Tau by Tre Worrell (an American with Barbadian heritage) and my personal character Aizan.

More characters and creators are coming for a total of 28 characters once finished.

I chose these people for many reasons.

1) [T]hey have a product that’s out.

2) [T]hey are producing comics and books on a standard just as high as anything that’s on the stands and they deserve the recognition.

3) [E]ven the creators who’s [sic] characters don’t have books out have great ideas that I want to see published and I’m hoping [that] seeing their characters come to life gives them that extra push.

4) [A]nd they’re my friends. As Bajans we have to lift each other up.

 

You said there’s a wealth of Barbadian comic characters. I imagine it wasn’t hard finding any then?
Yes and no. There are a bunch of Bajan creators on the island creating a lot of varied titles. But I don’t think there are enough. And as a whole, I’m assuming there are tons of Barbadians around the planet, but yet I couldn’t find a lot of bajan characters outside of the island.

 

Was that disappointing?
Very.

 

What more do you think can be done to encourage more of this kind of creativity and expression in Barbados and to get the works of Barbadian creatives out there more?
This is a multilayered answer. I think it starts with the creators first. We have to represent OUR heritage, and put the product out there to the people. They can’t consume what isn’t there. I think creators should also support each other more. Talk about each others’ properties. Get together. Share resources. I run a comic book networking group called Xion and I’m looking to branch out to Barbados. [And hold] [m]onthly meetings for artists to do all the things I just mentioned.

 

Next, its [sic] on the public to support the creators. If they can’t afford the product, share a link. Do a review. Spread the word. The same for creators as well. We now live in a hyper-connected world…there’s no excuse anymore for not getting eyes on your work. Not with the way social media is.

 

Are all of the characters from comics or are some of them from different mediums?
Most are from comics that are already published or that are in production. Creed is from a novel called The Soltreian Chronicles.

 

Last question: What do you hope to achieve with this project?
I hope to showcase the talent coming out of Barbados. I hope that this highlights the diverse tapestry of “black” that makes up Black History Month. I hope this brings the Barbadian comic community closer and inspires others, Bajan or otherwise, to create more and integrate their own culture into their creations. If all goes well I will get the characters colored and re-release them in the future.

 

Follow Shawn on Instagram at @Pyroglyphics1 and like his Facebook page!

‘A Caribbean Dream’ Selected for LA Independent Film Festival Awards

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A Caribbean Dream, the Barbadian/UK co-production produced by Melissa Simmonds and written and directed by Shakirah Bourne, has been selected as a semi-finalist in the LA Independent Film Festival Awards. The film is in the categories First Time Film Maker, Best Produced Screen Play and Ensemble Cast.

The film – shot on location in Barbados – is an adaptation of Shakespeare’s A Mid Summer’s Night Dream starring Jherad Alleyne, Keshia Pope, Sam Gillett, Marina Bye, Patrick Michael Foster, Adrian Green, Sonia Wiliams, Susannah Harker and Aden Gillett.

Its invitation only premiere will be held at Limegrove Cinemas on February 28th and open to the public for a one week screening run from March 1st until March 7th at Limegrove Cinemas and Olympus Theatres.

To learn more about the film, visit its Facebook page. Watch the trailer here.

 

Watch ‘Set You Free’ by 2 Mile Hill Music Video

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The music video for “Set You Free” by Barbadian band 2 Mile Hill was released earlier this morning. The song is the third track on the band’s EP Uncovered, which was released on June 24th of last year. In the video lead vocalist Mahalia Cummins dances on the roof of a building.

In a promotional video posted on the band’s Facebook page yesterday, Cummins said:

“This is a new experience for me – dancing for a video…so my heart is in my throat. People out there who know that I’m a dancer always ask if I use my dancing when 2 Mile Hill performs and I usually don’t to that level…I always thought of my dancing like a separate thing; an escape, a safe haven, a sanctuary…But it is a side of me that’s really important…I feel like it was now time to share that with everybody…”

Watch the video here.

 

Animekon VIII: Limitless Announces First Guest

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Meagan Marie will be returning to Animekon this year. This will be her second appearance at the convention; her first was at Animekon V: The Empire Rises in 2014, where she was a guest along with D-Piddy and Junkers Cosplay. Animekon made the announcement in a video, which can be viewed below.

Marie has used her platform to establish Causeplay Shop; a charitable organisation which hosts semi-annual sales in order to raise money to contribute to causes. More than just a cosplayer, she is Senior Community manager at video game developer Crystal Dynamics and author of the book 20 Years of Tomb Raider: Digging up the Past, Defining the Future.

Learn more about Meagan Marie on Animekon’s website and on her Facebook Page. See her Animekon VIII: Limitless at the Lloyd Erskine Sandiford Centre on September 2nd and 3rd.

https://www.facebook.com/AnimeKonBarbados/videos/1283563908405764/

Slash Soundz Top 5 Favorite Soca Songs

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Hear tune! My name is Kofi Jones and I am a Socaholic. I am not ashamed. I love a piece of soca. In any fete, bar, restaurant or bank line, I’m just waiting until I can hear Lil Rick telling girls what to do with their “bumpas” or continue to study Edwin’s fascination with “the road.” My wedding vows will most likely be soca lyrics (wife pending). It is by far the happiest genre of music ever created. I’ve heard sad techno songs. The saddest thing to happen in soca history is when Gorg lost his Jordans to his woman in the separation. (RIP Jordans, 2014).

I found it fitting that for my first list, I share my top 5 favorite soca songs. Note I said my top 5; this isn’t a definitive list. I’m sure we’ll disagree on maybe a couple of songs on my list, but these hold a special place in my life. I’m also going to be using a “1 song per artist” rule. I don’t need a list with 5 Machel songs. Now that’s all out of the way, onto the fun stuff.

 #5. “Bonnie and Clyde” – Destra Garcia (2004)

I’m you Queen. You’re my King. My darling.

The Queen of Bacchanal takes the number five spot with this gem of a song; simply one of the most melodic power soca songs to date. Destra immediately grabs our attention with an infectious introduction – sampled from 80s classic “Take On Me” by A-ha – that’s just inviting the listener to sing along. Her voice literally puts a smile on my face whenever I hear this song. You can feel the love Destra has for her Clyde. Honestly, this song probably would’ve landed higher on my list if it wasn’t brought to my attention a couple of years ago that her Clyde is…a washcloth. A bandana. A rag. For years I was under the impression that this song is about Destra losing her man in a fete and wanting to be with him. I mean this was 2004. She couldn’t exactly open WhatsApp and be like “Babes I by the bar. Part you is?”

 “We need each other like de water wetting the lawn.
There is no other boy
And yuh sure yuh can’t get no horn.”

Who can blame me for being mistaken with lyrics like that? Granted she also sang:

“Words cya describe how I dying tuh wave yuh.
I miss the way I used to fold and unfold yuh.”

So I’ll get my Steve Harvey on and apologize. I’m sorry Miss Garcia, there’s been a mistake. I misinterpreted your song.

 

#4. “Professional [pruh-fesh-un-nal]” – Ricardo Drue ft Jo Jo and the iDNATION (2015).

“Show me wa yuh drinking. Drink wa ya drinking. I’m a professional.”

I’ll admit it’s abnormal to have a song that’s a little over a year old in an all-time favorites list. But no soca list is complete without a drinking song. It’s just a staple in the culture. You don’t have to drink alcohol, mind you. You can bawl this song at the top of your lungs with a Red Frutee in your hand and feel the same way.

This song needed to make this list because of its simplicity. There’s nothing deep about this song and you don’t need to spend time thinking on it to understand. The entire song can be summarized with: “Ricardo likes drinking and he handles his liquor well. His significant other doesn’t like him drinking, however, but he will continue to drink.” That’s it. In addition to its simplicity, the background vocals really brought this song to life. We have Jo Jo and the iDNATION to thank for that. The hook sounds like a chorus of singers, or better yet, like a group of friends just liming and singing, with Ricardo at the lead. Anytime you see me in a party DJing and I play this song, look at me and I will be singing it.

 

 #3. “Vibes Cyan Done” – Machel Montano (2012)

“Twenty man, a hundred woman. Oh gosh the vibes cyah done.”

Oh gosh; to pick a favorite Machel song. The monk himself. It’ll be easier for my mom to pick a favorite child (Let me help mom; it’s me). Machel just has too many hits.

I was going to pick his 2011 song “Bend Over”, but I don’t feel it as much anymore. I also like “You” from 2005, but I don’t want this list drowned with power soca. After staring at my Serato crates and a bit of soul searching, I came to a decision.

“It’s the way how I do mi ting yea.
I so from since ah small.
I’m tellin you baby,
It’s the feeling the music bring yea.
I can’t behave at all.”

This is one of my pre-game tunes! Whenever I’m getting ready to go to an event to work, I either put on my playlist or watch Bounty Killer’s 2006 birthday bash performance (more on the latter at a later date).

This song feels like my personal introduction; like I’m giving my audience an idea of what to expect when I press play on my left deck. When Slashsoundz land “the vibes cyah done.”

 

#2. “Hard Wine” – Lil Rick (1997)

“Good gawd dat kinda wine den.”

“Rude boys could wukup good.
Somebody say something bout hard wine?
Gal mek bumpa wine mek bumpa wine,
Mek bumpa wine mek bumpa wine.
OK, OK. Woman at front and man behind.
We gin wine wine wine wine.
Wine wine wine wine.
Wuk up gone big time.
New juks design.
Hard wine hard wine!”

Cheese on bread! Lil Rick aka The Chihuahua Business man aka Hypa Dawg aka Mr. Crop Over. Do I have to say anything to justify this entry? From the time you hear that tuk drum in the intro, everyone in a 100-yard radius of the bass speaker is scientifically proven to at least shake a leg. This song just militant den! Yes, “militant.” It was 1997. My brother says that was the word they used back then.

 

#1. “The Heart of a Man” – Zan ft Machel Montano (2006)

“It’s like the heart of a man we pumping.”

OK, I know I said I’m a socaholic, but I cannot wukup to save my life. I give a valiant effort and try with all my might. But my waistline always ends up looking like that of a white, middle aged, dad at the Plantation Garden Theatre. So naturally, one of my favorite tropes in soca music is “the instruction song.”

“Head, hands, legs, feet, spine, belly, bambam, waist. Every single creed and race.”

This 2006 single took the Caribbean by storm. The dance – as I understand, from word of mouth, was created at the “Brewster’s Road Crew” party (BRC) –  is simple enough that anyone can do it. And I mean anyone. This dance is pretty much a next level “Head, Shoulders, Knees and Toes”; you simply touch your head, hands, legs and feet, and end with a vigorous wukup (or a brave attempt at one).  That’s not the only reason this song takes the top spot. The lyrics of this song scream unity. The kind you can only get with a soca song.

“Well if yuh would meet a stranger
Call him yuh brudda
Drink from the same glass
Sharing yuh liquor
Jumping up in a band
With one another
When de bacchanal end
Well you made a new friend.”

When you can feel a spark of friendship and find yourself forming a bond with a total stranger, doing extreme “Head, Shoulders, Knees and Toes”, you know your song is a classic.

‘A Caribbean Dream’ Premiere Date Announced, Selected for International Film Festivals

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The Barbadian/UK film A Caribbean Dream – an adaptation of Shakespeare’s A Mid Summer Night’s Dream – is set to premiere at Limegrove Cinemas on February 28th in an invitation only event and will be screened from March 1st through 7th at Limegrove Cinemas and Olympus Theatres.

The film had a preview screening at the Barbados Independent Film Festival on January 14th. Caribbean Film Productions Ltd, the production company behind the film, released a short video about the screening.

The film has also been selected for the London Independent Film Festival and the 7th Annual Charlotte Black Film Festival.

Photos from the preview screening can be seen over on our Facebook Page.

Watch the trailer below.

 

 

Animekon VIII: Limitless Dates Changed

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The wait for the arrival of the Barbadian pop culture convention just got a little bit longer. But don’t despair Animekon fans and faithful, it’s only been pushed by a week. In a departure from its usual end of August occurrence, the next edition of the convention will this year be held on September 2nd and 3rd at the home of Animekon; the Lloyd Erskine Sandiford Centre in Two Mile Hill, St. Michael.

The convention – which caters to fans of video games, films, TV, books, comics, anime and cosplay – has seen exponential growth in it’s eight years of operation and has expanded to include a cosplay catamaran cruise, which precedes the convention, an after party and a Geekcation package for convention goers outside of Barbados.

Aside from its annual cosplay competition – which is undoubtedly its main event – it hosts the Trivia Kon, Karaoke Kon, Ramen Eating and Sally Up Challenge competitions, as well as panels with local creatives and entrepreneurs and international guests (whom have included Yaya Han, Phil Lamarr, Kelly Hu, D-Piddy, Kamui Cosplay, Maki Roll, Princess Mentality, Christian Howard, Meagan Marie, Junkers Cosplay, Tim Waggoner, Long Island Joe and Jayem Sison).

The themes for this year’s convention and those which will follow in 2018 and 2019 were announced on September 9th of last year, in a video which can be viewed below. To learn more about Animekon, visit their website and their Facebook page and watch the after movie from last year’s convention below.

 

https://www.facebook.com/AnimeKonBarbados/videos/1076375945791229/


The Barbados Independent Film Fesitval 2017

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The first iteration of the Barbados Independent Film Festival was held from January 11th -15th, with screenings taking place at the brand new Walled Garden Theatre at the Barbados Museum and Historical Society, The Errol Barrow Centre for Creative Imagination and Limegrove Cinemas. Along with those from Barbados, films from the U.S.A, Peru, Croatia, Ethiopia, Mexico, Australia, Haiti, Martinique and Trinidad and Tobago were selected for the festival. The festival also hosted a workshop with American film, stage and TV actor and playwright Stephen Lang at The St. Michael School, as well as workshops at Limegrove Cinemas, Limegrove Lifestyle Centre, Radisson Hotel and the Barbados Museum and Historical Society.

The Opening Night

There were more people in attendance than I would have expected considering the type of event this was. There was a very good turn out. The crowd grew steadily as the pre-screening reception went on and although the screening was not full, it was close to it.

Stephen Lang, if your familiarity with his work does not extend beyond Avatar and Don’t Breathe (like mine), is far more personable than those on screen personas would suggest. His film Beyond Glory displayed the boundless talent he possess as an actor. The film itself, though too long in my opinion given it’s form, is a compelling, moving, at times hilarious and deeply human work of art. It is not for everyone however; it is essentially recordings of various performances of Lang’s one man show stage production edited together and does not have much of anything in the way of spectacle or action. The viewer is watching Lang recite lines with bare minimum costume and props. But Lang’s performance is so incredibly powerful that it is captivating to say the least. Any fan of his that wants to get a better idea of his range as an actor should watch it.

Lang presented Trinidadian soca super star Machel Montano with the first Barbados Independent Film Festival Award for Artistic Excellence. In his presentation he praised Montano not only as a musician, but as an actor as well for his lead role in Bazodee.

Upon his acceptance of the award, Montano spoke of the need for the telling of Caribbean stories in film and how technology allows young filmmakers to do so. He also stated that Caribbean people have a lot in common and when looking at diversity we must not forget about our similarities.

Lang himself was presented with the Barbados Independent Film Festival Founders Award and a bottle of Mount Gay XO.

The Screenings

Of all of the films I got to see – Beyond GloryH20Catching the SunDivergeZora’s DreamSweet BottomA Caribbean DreamBarbados Surfer GirlAin’t No FishSaving Our Turtles Aloysius 2, and Bazodee – Diverge was by far my favourite.

The night that it was screened – Friday the 13th – there was quite a crowd for the first half of the presentations, but after the intermission – when Diverge screened – the Walcott Warner Theatre of the Errol Barrow Centre was practically empty. Those who left missed an outstanding film. There were some technical difficulties (when it first started there was no audio) that threatened the screening, but those were thankfully worked out. Having seen this film and experienced how great it is, the idea of maybe never having seen it is disappointing.

This is a film that anyone who appreciates film as an art form and loves science fiction should see. Especially if you love subtle storytelling and films that do not spoon feed their audience. It is perhaps not as accessible to people unfamiliar with [mild spoiler] time travel; theoretically and the way it is presented in film [mild spoiler], but this is an exceptional film none the less.

Catching the SunA Caribbean DreamBarbados Surfer GirlAin’t No Fish and Aloysius 2 were also favourites of mine that I enjoyed.

Overall the films I saw at the festival were quite good. However, there were two or three that were not good and/or underwhelming.

As to the Walled Garden Theatre, grateful as I am that it exists, it would be very nice if anyone not seated in the front row could see the screen in its entirety. The seating is all on one level, so it is necessary to painfully crane your neck around the heads of the persons in front of you – and hope you don’t block the persons behind you –  in order to see. Only about a little less than half of the screen is unobstructed and that’s only at the very top.

The Awards

Not surprisingly – albeit disappointingly – not that many of the awards went to Barbadian films and filmmakers. I understand that it is an international film festival and just because it is called the Barbados Independent Film Festival does not mean that it is solely catering to or awarding Barbadian films and filmmakers. But it is disheartening when your country is hosting an event and more or less loses.

It cannot be expected, and is perhaps a little unfair, for Barbadian films (particularly those unlike A Caribbean Dream and Sweet Bottom) to compete with foreign selections such as these which excel in the creative and technical aspects of film. Comparatively speaking, the Barbadian offerings were not as technically or creatively proficient as those from the other countries; my own film included. We fall rather short.

The ray of hope here is that Barbadian filmmakers are motivated to try harder and do better. If we can succeed overseas (e.g. DJ Puffy), then we should be able to at home.

The Finale

‘Shorts on the Beach’ was lovely. It started an hour and a half late – the scheduled time was 4:00 PM but it started closer to 5:30 PM – but this could not be helped since the sun needed to go down in order for the screenings to commence.

Despite being similar to the Walled Garden Theatre screenings, in that it was outdoor and open air, it was more comfortable (no heads to crane around), casual and relaxed and unlike the other screenings I attended, you could eat while watching the films.

The crashing of the waves at times drowned out the audio from the films, but after a time it wasn’t noticeable. Unfortunately, as is the risk with an open air screening, it rained. This did not put a damper on things, however. There is something truly magical about watching a film under the stars while reclining on a beach chair. Here’s hoping there will be more open air screenings at future iterations of the Barbados Independent Film Festival, perhaps with a tent next time.

Final Impressions

Overall the Barbados Independent Film Festival was an enjoyable event that was certainly worth going to. If this year’s selections are anything to go by, the judges have very good taste in films and I trust that going forward one can expect to see films that are just as good or maybe even better. Aside from the late start for ‘Shorts on the Beach’ and the late – unavoidable – finish for the Friday the 13th sci-fi/horror screenings, it was a well put together event. There is room to grow and a lot of potential and under the right leadership, the Barbados Independent Film Festival can really become something.

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